29 September 2010

This Would Have Made The Movie Ten Times Better

Unfortunately, it's kind of a scientific impossibility.

18 September 2010

In Which Cary Grant Uses the Force

Also: Harpo shot first.

16 September 2010

The Student Prince in Old Heidelberg (1927)

With the exception of my bargain-bin copy of Nosferatu, the first proper silent movie I ever watched was 1927's The Student Prince in Old Heidelberg. In retrospect, I could not have asked for a better introduction to that era of film making. With a great cast, superb direction, top-notch production values and nary a word of spoken dialogue, The Student Prince is one of the primary examples of just how great silent movies could be.

The Student Prince in question is Karl Heinrich of the fictional kingdom of Karlstadt, played here by Ramon Novarro (in the films first few scenes, the Prince is played as a boy by Phillipe De Lacy). Karl Heinrich is stuck in the stifling rigidity of court life, his only friend being his kindly tutor Dr. Jüttner (Jean Hersholt). Upon the completion of his primary education, Karl Heinrich in granted leave to complete his studies in the picturesque city of Heidelberg with Dr. Jüttner as his chaperon. In Heidelberg Karl Heinrich tastes freedom for the first time, carousing and tossing back steins of beer with the vivacious cadets of the Corps Saxonia. Most importantly, however, Karl Heinrich meets a beautiful barmaid named Kathi (Norma Shearer), and the two fall truly, madly and deeply in love. 

In some of the most beautifully shot scenes in the film, Karl Heinrich and Kathi share a positively idyllic romance. Their bliss comes screeching to a halt, however, when Karl Heinrich receives news that the king of Karlstadt has fallen terminally ill and is compelled to return home. With the king on his deathbed, Karl Heinrich is forced to chose between his duty to Karlstadt and his love for Kathi.

Although the plot is far from groundbreaking, the picture is so well put together that what in other hands would be a strictly formulaic affair is quite touching. The film was produced at the very height of the silent era, and it shows. This is due, in large part, to the the excellent direction of Ernst Lubitsch, who amply demonstrates in The Student Prince his singular talent as a director of romantic pictures. Norma Shearer is as charming as ever as Kathi, and Jean Hersholt is particularly likable as Dr. Jüttner. Ramon Novarro carries the picture quite well, giving a highly sympathetic performance as Karl Heinrich. 

One thing that really enhances the viewing experience is the musical accompaniment. One wouldn't normally expect that from a silent film, but here is one area where the march of time has worked out to our advantage. The print which TCM usually shows is accompanied by a full orchestral score, composed by Carl Davis and performed by the London Philharmonic Orchestra. Davis has composed new scores for several silent films, including Ben-Hur, The Big Parade and Phantom of the Opera, to name a few. Davis' score is a perfect counterpart to the picture, and the man deserves mad respect for his contributions to the survival of silent films. 

I just recently saw The Student Prince in Old Heidelberg for the third time, and I found that I enjoyed it just as much as the first time (if not more so, now that I have become a bit more learned in the ways silent pictures). Although it has been released on VHS, The Student Prince is not yet available on DVD (here's hoping it will see a release through the Warner Archive collection before too long). Fortunately, the film airs on TCM with relative regularity. I strongly recommend watching The Student Prince in Old Heidelberg the next time you get a chance. 

[Poster via Dr. Macro]

15 September 2010

What a Manuscript Looks Like

I realize that it's been somewhat sparse around here for the last month or so, and for that I do apologize. However, I do have what I hope is a reasonable excuse -- I've been trying to write a book (emphasis on the trying bit). And when I say write, I do mean write. For whatever reason, I find that the words just flow more readily with pen and paper than with keyboard and word processor (many of the longer posts here were handwritten as drafts, in fact). Besides, I still have a New Year's Resolution which remains unfulfilled. 

We'll see where this leads me. Probably nowhere, but hey.

12 September 2010

For Whatever Reason...

...I found this to be poignant (click to view larger; you know how it works).

05 September 2010

I Dream of Jeanie

I recently finished reading John Oller's excellent biography of Jean Arthur -- aptly entitled Jean Arthur: The Actress Nobody Knew -- and I have to say that I really rather liked it. Oller's book is exhaustively researched, highly readable and sympathetic to its subject while remaining faithful to its sources. Furthermore, it also answered a question I posed in an earlier post: as it turns out, both Jean Arthur and Norma Shearer were working as models in New York in the early 1920s, which explains the mystery photo.

On a personal note, I must admit that I am now crushing pretty heavily on Miss Arthur after having read the book -- to quote Eddie Cantor, that's that kind of a baby for me! (although I do like her better as a brunette, as pictured above). 

I definitely recommend giving this book a read -- it is easily the seminal work on the subject of Jean Arthurology (and if that isn't a legitimate field of study, it bloody well ought to be).