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In every role I've seen her play, Ann demonstrates a great talent for making her characters believable -- from the cocaine addled mother in Three on a Match to the restless younger sister in Heat Lightning (1934) to the titular role in Housewife (1934), Ann's character is always sympathetic and and always feels genuine (she makes a particularly great onscreen drunk, as well!). She's a greatly under-appreciated member of the Warner Bros. roster.
A nifty tribute site to Ann exists, and is worth a visit for old movie aficionados.
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